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idea


Strelka Institute in December 2009. © Sergei Leontiev

The idea of Strelka was conceived simultaneously by five people: Alexander Mamut, Sergei Adonyev, Ilya Oskolkov-Tsentsiper, Dmitry Likin and Oleg Shapiro. Three years ago they devised to create a school which would be the first step towards the transformation of Russian cities.

This required a multifunctional institution. One that would not only be a place of study for architects, but would also become a cradle for ideas, strategies and meanings.

And this is what Strelka turned out to be.

Its lecture halls provide free tuition for student architects, designers, sociologists, economists and other specialists from around the world. Its courtyard hosts open lectures, conferences and film screenings. Its bar is a complex cocktail of musicians, editors, actors, television presenters and other representatives of the creative class.

The end product which is being cooked up in this cauldron is very intricate. It is not only the graduates, their projects and the evolution of their views that occurs during the educational process. It is a landscape. A landscape and its transformation. A landscape in its widest possible sense: physical, mental, emotional. So if a Strelka graduate devises a new modern approach to the construction of standard housing and this results in appealing, comfortable and affordable houses appearing in Russian cities, this will be our product. A student who attends a lecture on urban studies and is inspired to create a beautiful lawn outside his or her apartment is also our product.

Strelka has been conceived in a completely unique way, so as not to confine its product within its walls. In contrast to the majority of educational institutions, which are inward-looking, Strelka is a place entirely open to the outside world. Everything that happens here immediately spills out into the city in the form of projects, people and ideas. And the city reciprocates.

Strelka Institute in July 2010. © Sergei Leontiev

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education



© Sergei Leontiev

Strelka Institute offers a free postgraduate programme taught in English. The education strategy is based on cross-disciplinary research of urban problems. We are convinced that in order to be able to improve urban landscape, one should not only be familiar with structural mechanics and descriptive geometry, but also understand urban psychology, sociological models and economic trends. That’s why the educational programme is aimed at all kinds of young professionals — architects, sociologists, designers, managers, economists, and others, the main prerequisite being the desire to change urban environment for the better. 

The year is divided into two terms. For nine months, Students immerse themselves into creative (rather than purely academic) research, maintaining a constant dialogue with the best professionals in various fields of knowledge. This helps them broaden horizons and get acquainted with ideas that they have probably never been familiar with before, but which are necessary for their future work.

The first term consists of intensive lectures, discussions and seminars. The students get acquainted with the research themes of the year. At the end of the first term, all students go on a field trip. In 2011 it was Tokyo, Hong Kong the year before that. On their return to Moscow, students choose one research theme for their second-term personal project. They are also free to choose the format of the project: it can be an installation, or a book, or a video game, etc.

The second term is devoted to individual research projects that students work on under their professors’ supervision. Developing communication skills is another key aspect of the second term. Students learn not only how to gather, organise and analyse data, but also how to present their conclusions to the public. In late June, students’ projects are presented to the professors, media, and the public. 

Please download the syllabus here.

 

 

 

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summer at strelka

This summer, Strelka is launching a new project, Agents of Change. The theme of the project is the transformation of urban life. Its heroes are citizens. The site is Moscow. The purpose of the project is to share change, understand what it is and investigate and celebrate how it happens. 

Who are the Agents of Change? They are people who change the world about them through the force of their ideas, knowledge and experience and share them in new, creative and imaginative ways. They are professionals who design and deliver urban development projects and transform the places in which we work, live and play. They may design new buildings, publish a new local newspaper, organise new ways in which waste is managed in cities, develop master-plans, re-imagine public transport systems or create new routes to bicycle around Moscow. But all of the professionals have one thing in common: they seek to transform urban living for the better.

It is people who create the excitement, dynamism and pleasure of spaces and places in cities. Authorities may be responsible for the management of public places but those places only come alive when people feel that the city belongs to them and they play a part in its change. Do it right and cities don’t just look good and work better but their social life transforms. The recipe for success often involves people coming together and associating in different ways, in support of different interests – social, political, environmental or local. From coming together to create a place for people to sit in a park to making more comfortable and healthy office space, from creating cities that are friendly to forming new, complex networks of people and places, the heroes of our summer programme invite you to join them and share their knowledge and experience of urban change. 

Agents of Change 2012 will feature well-known international experts, such as Eduardo Souto de Moura (winner of Pritzker Prize 2011), Jacques Herzog and Pierre de Meuron (Pritzker Prize 2001 winners), Scott Nazarian (Frog, USA), Giancarlo Mazzanti (architect, Colombia), Perry Chen (artist, co-founder of Kick-Starter), as well as new local heroes, such as Yegor Korobeynikov (founder of UrbanUrban.ru), Alexei Mityayev (initiator of a bicycle lane project in Moscow), Anton Polsky (founder of Partizaning), and many others. During the workshops, university professors from Central Saint Martins, Hyper Island and Parsons School of Design, together with young professionals, citizens and representatives from local governments will design and deliver changes and improvements to various districts of the city, including Mitino, Tagansky and Otradnoye. Urban transformation and the projects created this summer will be open for one and all.

Katya Girshina, summer programme curator

 

 

 

 

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alumni projects

In the academic year of 2010-2011, the first 33 students worked on research projects within the bounds of one of five themes: Preservation, Energy, Thinning, Design, and Public Space. The process was curated by 15 tutors and resulted in research products of various formats, ranging from a documentary to a performance. In late June 2011, the research projects were presented to the public. 

Strelka’s president Ilya Oskolkov-Tsentsiper explains the essence of education at the institute: 

«I think that the main objective of a year at Strelka Institute is to take on tasks that are so significant, complicated and ambitious that you can hardly come across them in real life. However, when finally you find a solution to this or that absolute problem, you can then apply it to easier, more down-to-earth, more commercial problems. This is what education at Strelka is based on».

In 2011, the following people graduated from Strelka Institute:

Alena LaninaAnastasia AlbokrinovaAnastasia ChernyshovaAndrei GoncharovAnna ButenkoAnna ShevchenkoAnna TrapkovaAnton IvanovDaria NuzhnayaDaria ParamonovaDaria SyuzevaDenis LeontievEvgenia NedosekinaGleb VitkovIvan KuryachiyIvan SolominJezi StankevichKarina BunyatovaKuba SnopekMaria GulievaMerve YucelMinkoo KangNaina GuptaNatalia ZaychenkoOleg SemakinOlga KhokhlovaPavel GeichenkoSergey ShoshinShi YangTamara MuradovaVictoria KudryavtsevaXenia MakarovaYefim Freidine

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bar

© Sergei Leontiev

Bar Strelka is a project of Strelka Institute and a comfortable urban space.

The eclectic interior comprises elements of art deco, and Italian and Scandinavian designs of the 1960’s and 70’s.

The guests are offered an extensive cocktail list and an international menu created by the chefs Nathan Dallimore and Natalie Horsting.

At weekends, one can listen to DJs or jazz music played on an antique J. Becker piano. In summertime, there is a rooftop terrace with a unique view of the Moscow River and Christ the Saviour Cathedral.

All the profits of the bar go to support Strelka Institute.

From Monday till Friday the bar is open from 9 a.m, at weekends—from 12 p.m. On Mondays, Tuesdays, Wednesdays, Thursdays, and Sundays we close at midnight, while on Fridays and Saturdays the parties go on until 5 a.m. the next day.

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The Reading List

The fusion of art and science, virtual spaces, invisible cities and the changing artistic environment after the fall of communism are just a few topics the students are reading up on to get inspired and extract useful information for their research. Here are their own comments on what the books are about and what they found interesting.

 

Artscience: Creativity in the Post-Google Generation by David Edwards


“The author presents a handful of examples of scientists who became artists for a while to develop new theories, as well as artists who stepped into science in order to develop new techniques. These artscientists, despite experiencing loneliness, institutional discouragement and even fear, have overcome the resistance and explored new fields between arts and science. Through the combination of aesthetic and scientific methods the author drives us into the creativity in business, culture, education, while struggling with the institutions aversion to change and lack of encouragement.

Artscience, creativity in the post-Google generation is not trying to find the key to creativity, but certainly takes the reader out of his comfort zone, to new analogies that promote the idea translation, which ushers in new idea generation.”

Ricardo Pinho, Megacity

 

City of Bits: Space, Place, and the Infobahn by William J. Mitchell


“William J. Mitchell was fundamentally an architect and urban designer, who was concerned with how information technology intersects with the way we think about buildings and urban space. City of Bits is the first book of the trilogy among E-topia and Me++, which explores a largely invisible, but increasingly important system of virtual spaces interconnected by the emerging information superhighway.

I found that many of the core concepts of a digital world relate to architecture and could potentially be implemented in today's city. In different contexts you can see that just about everything has a potential intelligence embedded in it and a capability to be a part of a network. Particularly important was the architect's view on emerging technologies and his aspirations about it.  Interestingly, it's possible to see now, which of his predictions came true and which didn’t.”

                                                                           Tatyana Mamaeva, Senseable City

 

Invisible Cities by Italo Calvino


“Italo Calvino’s Invisible cities is a not a linear metatext; it narrates what we dream about as we live in the harsh urban reality though little tales based on Marco Polo’s travels in the Mongol Empire. The descriptions of the cities are reshaped through a dialog between Marco Polo and the Chinese Emperor Kublai Khan.

The book prompts us to re-think the question about the relation between what’s “virtual” and today's everyday “real” dynamics under that concept. The world offered by telecommunication and technology is now part of the invisible cities where we are living in.”

                                                                                                                          Carlos Medellin, Senseable city

 

The Manifesta Decade
Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe
edited
by Barbara Vanderlinden and Elena Filipovic


“Manifesta, the first itinerant European Biennial for Contemporary Art, emerged in a post-wall, globalizing Europe in 1993. The Manifesta Decade marks Manifesta's ten years of exhibits with essays and texts that not only document the different Manifesta exhibits but also examine the cultural, curatorial, and political terrain of the Europe from which they sprang.

The book looks like an atlas: at the beginning a comprehensive time-line illustrates the main events in the arts from 1989 until 2007. It is followed by a collage of different ideas and visions on the project of "Europe": Rem Koolhaas, Jacques Le Goff, Okwui Enwezor, Boris Groys, and Hans Ulrich Obrist reflect on the effect of communism's collapse on Eastern Europe and on the role of Biennials in the context of globalization. Have those trends affected Moscow and its artistic and institutional development after the fall of the USSR? The Manifesta Decade suggests some interesting questions that could become the starting point for a larger investigation about the position of Moscow in the international geographies of contemporary art.”

                                                                                                                                                Silvia Franceschini, Urban Culture

 

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