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Strelka Institute for Media, Architecture and Design
14, bldg. 5A, Bersenevskaya Embankment Moscow,
119072, Russia
more@strelka.com
+7 (495) 771 74 37
+7 (495) 771 74 16 (Bar Strelka)
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Strelka Institute in December 2009. © Sergei Leontiev
The idea of Strelka was conceived simultaneously by five people: Alexander Mamut, Sergei Adonyev, Ilya Oskolkov-Tsentsiper, Dmitry Likin and Oleg Shapiro. Three years ago they devised to create a school which would be the first step towards the transformation of Russian cities.
This required a multifunctional institution. One that would not only be a place of study for architects, but would also become a cradle for ideas, strategies and meanings.
And this is what Strelka turned out to be.
Its lecture halls provide free tuition for student architects, designers, sociologists, economists and other specialists from around the world. Its courtyard hosts open lectures, conferences and film screenings. Its bar is a complex cocktail of musicians, editors, actors, television presenters and other representatives of the creative class.
The end product which is being cooked up in this cauldron is very intricate. It is not only the graduates, their projects and the evolution of their views that occurs during the educational process. It is a landscape. A landscape and its transformation. A landscape in its widest possible sense: physical, mental, emotional. So if a Strelka graduate devises a new modern approach to the construction of standard housing and this results in appealing, comfortable and affordable houses appearing in Russian cities, this will be our product. A student who attends a lecture on urban studies and is inspired to create a beautiful lawn outside his or her apartment is also our product.
Strelka has been conceived in a completely unique way, so as not to confine its product within its walls. In contrast to the majority of educational institutions, which are inward-looking, Strelka is a place entirely open to the outside world. Everything that happens here immediately spills out into the city in the form of projects, people and ideas. And the city reciprocates.

Strelka Institute in July 2010. © Sergei Leontiev
Educational Programme Director
Yuri Grigoryan is an architect and educator. In the academic year of 2010-2011, he was a co-director of the Public Space research theme at Strelka Institute. He also teaches at Moscow Architectural Institute. In 1999, together with Alexandra Pavlova, Pavel Ivanchikov and Ilya Kuleshov, Yuri founded the architectural bureau Project Meganom. Between 2000 and 2010, the bureau built a number of buildings in Moscow, including the Barvikha Concert Hall and Tsvetnoy Central Market. In 2009, Project Meganom won a competition to develop the project of the Perm Contemporary Art Museum.
Hinterland Theme Director
Rem Koolhaas graduated from the Architectural Association in London. In 1975, together with Elia and Zoe Zenghelis and Madelon Vriesendorp, he founded OMA. Three years later, Rem published Delirious New York: A Retroactive Manifesto for Manhattan. In 1995, his book S,M,L,XL summarized the work of OMA in «a novel about architecture». Koolhaas heads the work of both OMA and AMO, the research branch of OMA that operates in areas beyond the realm of architecture, such as media, politics, renewable energy, and fashion. Koolhaas has won several international awards, including the Pritzker Architecture Prize in 2000 and the Golden Lion for Lifetime Achievement at the 2010 Venice Biennale. Koolhaas is also a professor of Harvard University where he conducts the Project on the City.
Hinterland Theme Supervisor
Alexandr Nikulin is the director of the Agricultural Research Centre at the Russian Presidential Academy of National Economy and Public Administration. Dr. Nikulin specializes in economic sociology, history of peasantry and sociology of agriculture. He is the author of numerous articles and scientific papers on agrarian reforms, peasants in the Soviet Union and Russia, and the current state of farming in Russia.
Hinterland Theme Supervisor
Before joining OMA*AMO in 2010 to work on Strelka, Janna Bystrykh gained knowledge and experience in a number of complex urban projects, including the Perm Strategic Masterplan. Janna graduated with honours from the Delft University of Technology and holds a degree in City Design and Social Sciences from the London School of Economics.
Hinterland Theme Supervisor
Stephan Petermann has a Master's degree in History of Architecture and the Theory of Building Preservation from the University of Utrecht. He also studied architecture at the Technical University of Eindhoven and worked for the magazine VOLUME. He joined OMA in 2006 assisting OMA's founder Rem Koolhaas with lectures, texts and research. Most recently Stephan worked on a cultural plan for a large development in Hong Kong, curated the OMA Book Machine exhibition at the AA Gallery in London and participated in several projects on preservation including the CRONOCAOS exhibition in Venice (2010) and New York (2011).
Megacity Theme Director
Reinier de Graaf joined OMA in 1996 as project director for De Rotterdam, which is currently under construction. In 2002 he became director of AMO, the think tank of OMA, and produced The Image of Europe, an exhibition illustrating the history of the European Union. He led several OMA projects in the Middle East, and in 2009 led the competition-winning design for Rotterdam’s Stadskantoor. De Graaf is also working on the Commonwealth Institute redevelopment in London. He is responsible for AMO's increasing involvement in sustainability and energy planning, which includes the report Roadmap 2050: A Practical Guide to a Prosperous, Low-Carbon Europe, conducted and published in 2010 in cooperation with the European Climate Foundation.
Megacity Theme Supervisor
Due to her background in public policy and relevant experience in sustainable building design and energy efficiency, Laura Baird is currently leading AMO’s growing involvement in the fields of energy policy and renewable energy planning. She worked on the Zeekracht Masterplan, a project of wind farms in the North Sea, and on Roadmap-2050, a guide that proposes a decarbonized power grid for Europe by 2050. In January of 2011, Laura participated in delivering The Energy Report, a project (done in cooperation with the WWF) envisioning a world 100%-reliant on renewable energy by 2050. Laura is currently responsible for much of OMA’s growing collaboration with McKinsey & Company.
Megacity Theme Supervisor
Vadim Novikov is a research associate at the Gaidar Institute of Economic Policy and a senior research associate at the Academy of National Economy. He is also an editor at the magazine Economic Policy. Vadim Novikov received his Master of Economics in 2003 and his Bachelor of Economics in 2001 — both from the Higher School of Economics. In 2011, he cooperated with Strelka as an external expert.
Megacity Theme Supervisor
Anastasia Chernyshova graduated from Kazan State University of Architecture and Engineering in 2006. She worked in the architectural studios “Asse Architects” and “Sergey Skuratov Architects”. Since 2009, she has been a partner of the Russian-Luxembourgish architectural bureau Le Atelier. In the academic year of 2010-2011, Anastasia was a Strelka student. Her research project “Paper Modernization” was devoted to aspects of energy efficiency.
Urban Culture Theme Director
Michael Schindhelm is a German author, film director and theatre manager. He grew up in the former GDR and studied at the State University of Voronezh in the former USSR, graduating with a degree in quantum chemistry. In 2005, Michael became the first director general of the newly founded Opernstiftung, comprising Berlin’s three opera houses. From 2007 to 2009, he was cultural director of the Dubai Culture and Arts Authority, focusing on the Khor Dubai project. Since 2009 he has worked internationally as a cultural advisor, as well as continuing his work as a novelist, librettist and translator. His documentary Birds’ Nest examined the design and construction of the Beijing National Stadium.
Urban Culture Theme Supervisor
Stanislav Lvovsky received his degree from the Chemistry Department of Moscow State University. After that he moved into advertising and journalism. At present, Stanislav works in cultural events management and edits the literature section at openspace.ru, the only Internet media in Russia entirely devoted to culture. Lvovsky has written several poetry books and short stories collections. His play «Six Plays» (written together with Linor Goralik) was staged by the Moscow-based «Theatre.doc».
Urban Culture Theme Supervisor
Anna Butenko graduated from Moscow Architectural Institute in 2005 and subsequently studied interior and living design at Domus Academy. Anna worked at several architectural bureaus, including Project Meganom, Bureau Alexandr Brodsky, ABD Architects. Her works were exhibited at Salone Del Mobile 2010 in Milan; in Palazzo Marino, Milan, 2010; and at the Venice Architecture Biennale in 2004 and 2010.
Citizens as Customers Theme Director
David Erixon is one of the founders of Hyper Island, an innovative school of design, advertising, and interactive communications, which has become one of the most famous schools in the world. In 1996, the school had thirty students, and now its three branches — on Karlskrona island and in Stockholm in Sweden, and in London — train more than 300 specialists each year. Many of them get excellent job offers even before graduation. Erixon is also a founder of Doberman — one of the leading digital design agencies in Sweden. His employment record also contains the position of general brand-director at Vodafone and products and clients vice-president at Yota Group.
Citizens as Customers Theme Supervisor
After her graduation from the Moscow Art Theater School with a degree in scenography Anastassia worked as a designer, playwright, and a freelance author for professional and popular press. She joined AMO in 2007 to work on the Hermitage Masterplan project. In 2007, in association with the architect Alexander Sverdlov, she established SVESMI, the first Dutch-Russian office for architecture, urbanism, and multidisciplinary research.
Citizens as Customers Theme Supervisor
Kuba Snopek graduated from the Wroclaw University of Technology and the Polytechnic University of Valencia. He worked as an architect and urban planner in Poland, Spain and Denmark. Working in BIG (Bjarke Ingels Group), he participated, among other things, in two theoretical urban planning projects for the 2010 Venice Biennale. He was a student of the Strelka Institute (class of 2010-2011) where he did research on the preservation of intangible heritage. He now continues working on urban development projects.
SENSEable City Moscow Theme Director
Graduated in engineering at the Ecole Nationale des Ponts et Chaussées in Paris, France, and at the Politecnico di Torino in Italy. He later earned his MPhil and PhD degrees in architecture from the University of Cambridge, UK. In 2000 Ratti moved to MIT, working with Hiroshi Ishii at the MIT Media Lab. In 2002 established the design office carlorattiassociati in Torino, Italy. In 2004, he established the MIT Senseable City Lab, an MIT research group that explores the «real-time city» by studying the increasing deployment of sensors and hand-held electronics, and their relationship to the built environment.
SENSEable City Moscow Theme Supervisor
Assaf Biderman has background in physics and human-computer interaction. These days, Assaf is teaching at the Massachusetts Institute of Technology, where he is the Associate Director of the SENSEable City Laboratory, an MIT research group that explores the “real-time city” by studying the increasing deployment of sensors and networked hand-held electronics, and their relationship to the built environment.
SENSEable City Moscow Theme Supervisor
Dasha Paramonova graduated from Moscow Architectural Institute in 2005. After graduation she began working with the well-known Russian artist and architect Alexander Brodsky. Simultaneously, she was a teaching assistant at the Department of Civic Architecture in Moscow Architectural Institute. In 2010, she enrolled into Strelka Institute and did research on the aging of Moscow’s architecture of the Luzhkov era. Having graduated, Dasha stayed at Strelka to work as a researcher.
Experts

This summer, Strelka is launching a new project, Agents of Change. The theme of the project is the transformation of urban life. Its heroes are citizens. The site is Moscow. The purpose of the project is to share change, understand what it is and investigate and celebrate how it happens.
Who are the Agents of Change? They are people who change the world about them through the force of their ideas, knowledge and experience and share them in new, creative and imaginative ways. They are professionals who design and deliver urban development projects and transform the places in which we work, live and play. They may design new buildings, publish a new local newspaper, organise new ways in which waste is managed in cities, develop master-plans, re-imagine public transport systems or create new routes to bicycle around Moscow. But all of the professionals have one thing in common: they seek to transform urban living for the better.
It is people who create the excitement, dynamism and pleasure of spaces and places in cities. Authorities may be responsible for the management of public places but those places only come alive when people feel that the city belongs to them and they play a part in its change. Do it right and cities don’t just look good and work better but their social life transforms. The recipe for success often involves people coming together and associating in different ways, in support of different interests – social, political, environmental or local. From coming together to create a place for people to sit in a park to making more comfortable and healthy office space, from creating cities that are friendly to forming new, complex networks of people and places, the heroes of our summer programme invite you to join them and share their knowledge and experience of urban change.
Agents of Change 2012 will feature well-known international experts, such as Eduardo Souto de Moura (winner of Pritzker Prize 2011), Jacques Herzog and Pierre de Meuron (Pritzker Prize 2001 winners), Scott Nazarian (Frog, USA), Giancarlo Mazzanti (architect, Colombia), Perry Chen (artist, co-founder of Kick-Starter), as well as new local heroes, such as Yegor Korobeynikov (founder of UrbanUrban.ru), Alexei Mityayev (initiator of a bicycle lane project in Moscow), Anton Polsky (founder of Partizaning), and many others. During the workshops, university professors from Central Saint Martins, Hyper Island and Parsons School of Design, together with young professionals, citizens and representatives from local governments will design and deliver changes and improvements to various districts of the city, including Mitino, Tagansky and Otradnoye. Urban transformation and the projects created this summer will be open for one and all.
Katya Girshina, summer programme curator

In the academic year of 2010-2011, the first 33 students worked on research projects within the bounds of one of five themes: Preservation, Energy, Thinning, Design, and Public Space. The process was curated by 15 tutors and resulted in research products of various formats, ranging from a documentary to a performance. In late June 2011, the research projects were presented to the public.
Strelka’s president Ilya Oskolkov-Tsentsiper explains the essence of education at the institute:
«I think that the main objective of a year at Strelka Institute is to take on tasks that are so significant, complicated and ambitious that you can hardly come across them in real life. However, when finally you find a solution to this or that absolute problem, you can then apply it to easier, more down-to-earth, more commercial problems. This is what education at Strelka is based on».
In 2011, the following people graduated from Strelka Institute:
Alena Lanina, Anastasia Albokrinova, Anastasia Chernyshova, Andrei Goncharov, Anna Butenko, Anna Shevchenko, Anna Trapkova, Anton Ivanov, Daria Nuzhnaya, Daria Paramonova, Daria Syuzeva, Denis Leontiev, Evgenia Nedosekina, Gleb Vitkov, Ivan Kuryachiy, Ivan Solomin, Jezi Stankevich, Karina Bunyatova, Kuba Snopek, Maria Gulieva, Merve Yucel, Minkoo Kang, Naina Gupta, Natalia Zaychenko, Oleg Semakin, Olga Khokhlova, Pavel Geichenko, Sergey Shoshin, Shi Yang, Tamara Muradova, Victoria Kudryavtseva, Xenia Makarova, Yefim Freidine.

© Sergei Leontiev
Bar Strelka is a project of Strelka Institute and a comfortable urban space.
The eclectic interior comprises elements of art deco, and Italian and Scandinavian designs of the 1960’s and 70’s.
The guests are offered an extensive cocktail list and an international menu created by the chefs Nathan Dallimore and Natalie Horsting.
At weekends, one can listen to DJs or jazz music played on an antique J. Becker piano. In summertime, there is a rooftop terrace with a unique view of the Moscow River and Christ the Saviour Cathedral.
All the profits of the bar go to support Strelka Institute.
From Monday till Friday the bar is open from 9 a.m, at weekends—from 12 p.m. On Mondays, Tuesdays, Wednesdays, Thursdays, and Sundays we close at midnight, while on Fridays and Saturdays the parties go on until 5 a.m. the next day.
Follow Strelka at
May 14, 2012, 13:58
Дискуссия цикла «Хранители», организованного Департаментом культурного наследия Москвы и институтом медиа, архитектуры и дизайна «Стрелка», посвящена определению ценности архитектуры недавнего прошлого.

В этом году исполняется 20 лет постсоветской архитектуры. Эти два десятилетия радикально изменили облик Москвы. На архитектуру влияли бизнес, политика, вкусы заказчиков и нереализованные за годы советской власти амбиции архитекторов. При этом качество строительства резко переросло в количество – объем застройки исторического центра Москвы за последние два десятка лет сопоставим с общим объемом строительства здесь в советское время.
20 лет – отличный повод подвести промежуточные итоги и поразмышлять о том, как и почему менялись предпочтения архитекторов, заказчиков и критиков в постсоветский период? Какие здания
стоило бы снести, а у каких есть шансы стать памятниками. Какими критериями мы
должны руководствоваться, определяя их ценность – эстетическими предпочтениями профессионалов, исторической значимостью или качеством строительства? Какие здания стали символами Новой Москвы? К разговору приглашены все участники архитектурного процесса – архитекторы, девелоперы и критики.
Участники дискуссии:
Алексей Белоусов – коммерческий директор Capital Group.
Борис Левянт – генеральный директор ABD Architects.
Алексей Муратов – главный редактор журнала “Проект Россия”.
Сергей Скуратов – президент компании «Сергей Скуратов Architects».
Сергей Ткаченко – член-корреспондент Российской академии художеств, вице-президент Московского отделения Международной Академии Архитектуры, профессор Московского Архитектурного института.
Дискуссия состоится в пятницу 18 мая в 19:00 в Доме культуры "Белые палаты" по адресу Пречистенка, 1.
Для участия просьба зарегистрироваться.
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